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Gustavo Cerati's life, created by her new emotions




The documentary features unpublished archive material, such as the artist's image in his childhood and his family, friends and former soda stereo Zeta Bosio and Charly Alberti Credit: NatGeo

Last night Nat Geo introduced me
BIOS: Your life, which is yours, is devoted

Gustavo Cerati

. The two-consecutive one-hour episode, produced by Sebastián Ortega and directed by the Chilean Javiera Mena, made it possible to recreate the

Soda is stereo

. And he did the direct testimony of his former companions, the musicians who accompanied him at various stages of his solo career; her mother, Lilian Clark; her sisters, Laura and Estela, and their child, Benito and Lisa. And you, Cerat himself, who tells stories in interviews, some with unpublished material and a wealth of archival material.

After Shakira, Zeta Bosio and Charly Alberti described the musician according to his own opinions ("I think he was delighted with him and he did not know how to determine the things that pleased him", the bass is straightforward), action begins with Mena Clark's house for a family lunch with the whole Cerati clan. After visiting the musician's room where the musician lived until the first soda stereo album was released, Laura listened to a temporary recording in which Juan José, his father's radio station, shows new students: his son, Gustavo, is only six years old who sings.

This audio is a triggering factor that highlights Ceratin's support for her family. "If there is something you do not have to regret to follow the children's vocation, whatever it is, do not be deceived," says Clark, who also points out that her husband was responsible for obtaining records and assets. son every time he traveled to the United States. Gustavo himself points out that the support provided in the interview in 1990 supports "They are still providing protection for me every time I record, I'll show them, and I hope they embrace and get closer."

Zeta Bosio's job is to explain how they met at the Universidad del Salvador in advertising while Ana Saint Jean, a girlfriend of Ceratin at the time, showed a cassette in which Cerati compiled the unpublished song when they were together. Melody remembers "Your Madness," which he later recruited into his independent career. The conversation from the beginning becomes the aesthetic obsession of the group, complemented by vintage photographs and a Cerati file certificate that recognizes the laughter: "We were a comb or three."

The Marabú visit, where Soda Stereo first presented the show, and Adrián Taverna, the trio's historical sound, serves as a starting point for a quick overview of the rise of the group. Vertical rhythm does not allow focus on specific periods, but abundant, unpublished material, such as images of Sodamania programs, camouflaged footage, or transfer from one place of destination to another, and Ceratin's new testimony in which it recognizes that one At the time of the explosion he tried to isolate the band's tired peak at a Costa Rica airport. The success of Doble Vida and its subsequent release in Buenos Aires will lead to the Animal Song in the US, and the leader of the band will be recording the guitars of the "Entre caníbales" and "One million light years". We can also see that the incorporation of Melero with Cerati produces symbiosis and causes frustration with colleagues, which later moves to Chile.
Yellow love and his son Benito's birth to the new era of pillars.

This new search horizon is also a sign of the separation of Soda Stereo. At the Ferro Alternative Festival, a chaotic and non-inspired performance and the arrival of her daughter Lisa are the preamble
The last concert, at the River Stadium in 1997. Leo García interprets the failure of the president of Plan V for electronic project
shred and tells how many pieces of the lyrics were inspired by the Seven Successful Spiritual Laws of Deepak Chopra.

Timeline is a protagonist of Benito and Lisa to emphasize Ceratin's most intimate side: the father of his gaze. Inter-house games, San Martin de los Andes family vacations and an acid-house album on which his eldest sons were registered at age five.

Exactly Benito analyzes that Cerati has decided to return to rock guitars. "It was disappointing to have done things, though doing anything he wanted was not so good", an indirect reference to
Always today that
Here we go.

From the success of the fourth solo album to the operational return of Soda Stereo, the level of secrecy in which it was formulated, and Daniel Kon's constructive negotiations with the three members of the band had to be an agreement on the clauses of the contract to sign the signature. The health of the author of the "light music" was given by the first alerts when a thrombosis forced the doctor's warnings to be repeated on the tour, although García himself said "he decided to live in full and to take the consequences".


The Cerati family in Lilian Clark's house, where Gustavo's adolescent room was still left
The Cerati family in Lilian Clark's house, where Gustavo's adolescent room was still left Credit: NatGeo

With the image of the recent demonstration of his return to the Soda Stereo screen (and referring to a number of conversations and conversations to end pending questions and injuries) Charly Alberti sets out to reveal that he did not suggest the ending of his own story from the three musicians: "We said: # 39; Stop Now! & # 39; and every four to five years, we have a spectacular time, we've made a record, and each continues with your own, so we're left. " Following the rhythm of the project, the Fuerza natural, the last recording of the studio album and the only one documented in Bios. Everyone points out how Cerati feels the special relationship with the present and the here-now, something that the musician himself is involved in an interview in which he says, "There is age, more enjoyment of travel and more momentous enjoyment" . This is illustrated by the backstage recordings of the tour to show the album and the air of the comedy life with its musicians.


Javiera Mena, conductor and interviewer and Benito Cerati
Javiera Mena, conductor and interviewer and Benito Cerati Credit: NatGeo

Following a scene of the recent Caracas show and the picture taken with his music when he completed the game (and four years later he was experiencing the first symptoms of ACV, four years after his death), the personal story of the final prediction in which Bosio and Alberti they get acquainted with the Alcla clinic in their last encounter and appreciate the enormous integrity that Lilian Clark has undergone in the last four years.

In closing, the musicians of his family and friends meet in Unison to interpret the "Natural Force" version, which alternates between the original fragments. The use of editing and shading gives the impression that Cerati is present with them in the studio, the greatest achievement of a documentary.

Even with heavy time downsizing (electronic projects, recording of Dynamo, Sueño Stereo, and many solo recordings) and the omission of key testimonies (mentioning Richard Coleman's absence), Bios has the emotional value to open a gap to the dynamics of a figure whose talents are so great, as the secrecy he had with his private life.


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